Dojo Darelir, the School of Xenograg the Sorcerer

Tag: paraphernalia

A Magical Sword Is Used to Command, Banish, and Defeat Spirits

December 26, 2021

One of the standard devices in the magical toolkit since early times, the magical sword is used to command, banish, and defeat spirits, especially in the practice of magical evocation. The Key of Solomon, the most famous of medieval grimoires, provides detailed instructions for preparing and consecrating no less than four magical swords, as well as a scimitar, a lance, a dagger, a poniard, and a collection of knives—the Solomonic magician entered the magical circle as heavily armed as a knight going to war…. Most other grimoires suggest a somewhat less topheavy collection of magical armament, but at least one sword was normally in evidence….

The use of the magical sword is at least partly a function of natural magic. Many occult traditions claim that iron, especially when sharpened, is inimical to many types of spiritual entity. The most common understandings of the etheric realm suggest that iron, like other conductive metals, can short-circuit etheric bodies that lack the protection of a physical form….

The New Encyclopedia of the Occult

Emphasis mine.

Shamanic Paraphernalia

March 7, 2003

Under the influence of Buddhism, the chaotic forces of nature, variously feared and honored by the shamanic tradition, were made to fit harmoniously into the Indian cosmological model. Old shamanic rites were adopted by the Buddhist clergy and heavily overlaid with Buddhist liturgy and symbolism. Monks adorned their temples with such archaic paraphernalia as the shaman’s divination arrow, his magic mirror, and his precious pieces of fine rock crystal. They appropriated the shaman’s bow and arrow and drum, and the broad, fur-trimmed hat and gown of the “black-hat sorcerer” festooned with shamanic symbols of the cosmic tree (or world mountain), sun and moon, snake-like ribbons and the divination mirror, with trimmings of bone, fur, and feathers.

Roy G. Willis, World Mythology, p. 107

An Arsenal of Magic Implements

November 7, 1997

To accomplish his mysterious purposes, a wizard would arm himself with an understanding of all the interwoven occult disciplines. But before he could put this knowledge into practice, he also required an arsenal of implements to enhance his powers and protect him in his dealings with spirits and demons. Robe and headdress, sword, dagger, and wand were the foremost tools of his trade. With these and the arcane knowledge enshrined in his library of manuscripts, charts, and books, the priest of the night could span the abyss between the seen and unseen worlds.

White, not the black of fairy tales, was the proper color for a wizard’s robe. Cornelius Agrippa, the German scholar whose celebrated Occult Philosophy became a textbook for 16th-century [C.E.] mages, said the wizard should dress in a gown of the finest linen, covering the whole body from head to foot, close-fitting and tied only with a girdle. Buckles and buttons would obstruct the free flow of supernatural energy. The headdress, whether tall or flat, pointed or round, should also be white, with YHVH, the Hebrew name of God, embroidered on the front. Both robe and headdress should be adorned with sacred emblems—stars, pentacles, and circles.

Once equipped with headdress and robe, the wizard’s most vital task was to forge a sword and dagger. This operation was best conducted when the moon was rising in the sphere of Jupiter, planet of good fortune and success. The mage would then burn incense of ambergris and peacocks’ feathers, saffron, aloe wood, cedar, and lapis lazuli—the scents associated with Jupiter—and chant in the name of God, heaven, and the stars to infuse his weapons with mystic strength.

Only then could the wizard prepare his wand, the most precious of all the magic implements. A slim wooden rod, some twenty inches long, the wand was ideally cut from a solitary bush that had never fruited. On the first night of the new moon, in the hour before dawn, the magician should dip his knife in blood. Facing the eastern horizon, he should cut the shoot with a single stroke of his dagger then peel its soft green bark in the first rays of the reborn sun. The three sacred instruments—sword, knife, and wand—should then be wrapped in a silken cloth until they were required.

Delicate though it seemed, the slender wand was by far the most formidable weapon in the sorcerer’s arsenal. With it he could summon spirits, cast spells, or wreak destruction; he could make objects disappear, or reveal to the naked eye things that were otherwise invisible. If he were a beneficient practitioner, he might use the wand to liberate the victims of dark forces from the curses laid upon them….

The Secret Arts, pp. 114-16