Chess Pieces’ Movements Reflect Their Counterparts in the World of Warfare
In another tale from the Shahnameh, an Indian ambassador to Iran brings a puzzle to test the shah’s vizier, Bozorgmehr, famed for his wisdom. It consists of a cloth painted with alternate black and white squares, and two sets of tiny figurines, carved in ivory and teak. Bozorgmehr is given one day to study the components and explain the puzzle’s significance in the presence of the shah and the Indian emissaries. After a long, studious night, he confidently declares that the Indian puzzle is, in fact, a board game, one that imitates the battlefield. The figurines represent opposing armies, each comprising a king, a vizier, elephants, cavalrymen, charioteers, and foot soldiers.
The game was, of course, chess, and the movements of each piece reflected their counterparts in the world of warfare. Foot soldiers, today’s pawns, plodded forward. Charioteers, today’s rooks (from the Sanskrit ratha, “chariot,” via Persian), were posted on either flank and galloped rapidly in a straight line. Horses, or knights, attacked with flanking maneuvers. Elephants, the bishops of Western chess (once called fools, from the Persian fil, elephant), stood close to the king and the vizier (now the queen) and careened wildly at an angle. The vizier could use a chariot or an elephant, and so move in all directions….
— Raiders, Rulers, and Traders, Chapter 3