Intermediate World of Spirits
Neither angels nor devils, jinn can move in both directions, as is clear from the romance of Sayf al-Kulut and Badiat: they can surpass the devil’s works in wickedness and also act vigorously on behalf of the supreme God and goodness. In the sura called ‘The Jinn’ in the Koran, the jinn tell us, ‘That among us there are the righteous, and there are the less so—of diverse persuasions are we’….
In a plot, the supreme being can act as a narrative force embodied in providence, but there are limits to the spectrum of his behaviour. Even the furious God of the Old Testament does not possess the degree of idiosyncrasy and vitality that less strictly perfect beings, intrinsically various and unruly, can add to a story. It is not simply a question of the devil having the best tunes, but a reflection of the inherent demand that this kind of fairytale storytelling makes: for surprise, for wonder, for astonishment. The Greek myths could imagine gods and goddesses behaving badly and the stories correspondingly fizz with inventive plots: with the fairytale and the tales from [A Thousand And One] Nights this variety and spice, so necessary to a good story, moves out of the ranks of the divine into the intermediate world of spirits.
— Stranger Magic, p. 48
|Other Excerpts From This Source:|