Dojo Darelir, the School of Xenograg the Sorcerer


The Art of Axe-fighting

Axe-fighting was a complex and demanding dance. It looked much more brutal and simplistic than sword-work, but in some respects it was vastly more subtle than the ballet of the swordsman. The killing edge of an axe was in a position to harm an opponent for a much smaller percentage of engagement time than the killing surfaces of a sword. Axe fighting was about swinging and circling, moving and evading, choosing the moment to land the blow. It was about seeing that opening coming three or four steps ahead, like a good [chess] player, and then taking advantage of it without telegraphing the stroke. It was about predicting the interface between swing and moving target. Misjudge that, and you’d lose the fight.

Dan Abnett, Prospero Burns, chapter 12

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